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"For what it’s worth: it’s never too late or, in my case, too early to be whoever you want to be. There’s no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you’re proud of. If you find that you’re not, I hope you have the strength to start all over again."

-F. Scott Fitzgerald (via youresoprettyandimsoshy)

(Source: arpeggia)


svjezezene:

the beatles
temporary-frame-of-mind:

The stationWhere I told youI love you

streloff:

Wassily Kandinsky, “Dance Curves: On the Dances of Palucca” (1926)

Dancer and choreographer Gret Palucca (1902-1993) was a former student of Mary Wigman, the leading figure in German Expressionist dance. In 1925, Palucca opened her own dance studio in Dresden and developed close contacts with various Bauhaus instructors, many of whom greatly admired her dance style. Wassily Kandinsky’s four “analytical drawings,” which were based on photographs of Palucca by Charlotte Rudolph, illustrate how closely the dancer’s style coincided with the Bauhaus aesthetic. The drawings and photographs were published in the arts journal Das Kunstblatt in 1926. According to Kandinsky, Palucca’s “principal assets” were “1. Simplicity of the whole form, and 2. Construction of the large form.”

thecwst:

CNT
heaveninawildflower:

'Two Swallows and Wind Bell'. Edo.
Silk painting by

Sakai Hōitsu (酒井抱一) (1761–1828) 
Walters Art Museum via Wikimedia